All plug-ins can also communicate with each other or with the host application using the virtual MIDI ports offered by the plug-in.įor each plug-in slot, latency compensation, presets management, undo/redo integration, audio i/o selection and individual plug-in bypass are included for optimal operation. Use the built-in audio effects to add color to your own plug-in chains.ĭespite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack's matrix. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. This really is ideal as you really can create a totally custom view of your mix and slim down even complex projects.It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This area allows you to show or hide any channel in your project individually. The Channel selector is probably the first area you'll see as it is open by default and appears on the left-hand side of the Console. They all do similar jobs but have varying levels of control. This is achieved by using either the Channel Selector, Window Layout or Channel Type windows. On top of this scalability, you can actually choose to hide and reveal specific functions and channels within your active project. You can also use the standard Cubase zoom functions to open up the size of the faders and meters themselves. We've already seen that you can drag window sizes and this works for each area of the console. Realistically, there are three or four ways of altering what is shown in the MixConsole at any one time. If you find that you want to customize the way your console looks even further, you can use other features to show and hide specific elements in your mix. This is a really refreshing approach and should really be standard in all DAWs moving forward. Making the console window narrower or shorter simply resizes the majority of the data, menus and buttons, while the faders and meters can be zoomed and stretched to any size you like. This was actually written on a MacBook Pro and although I have used Cubase 7 on a desktop setup, I was more than happy with the way the MixConsole adapted to the smaller screen.Ī mix stretched and zoomed to fit into a smaller area. This is especially useful if you are working on a single screen or laptop-based setup. This is the first DAW mixer that I've used that uses this feature and it enables you to stretch the whole mix window to any shape you like and retain the majority of viewable info. The first thing I want to touch on is the MixConsole's scalability. Granted, you can see the meters, faders and some plug-in info but there is much more on offer here. When you first open the MixConsole in its default view, you may notice that there is not a huge amount of information on show. These skin deep alterations to the interface are just the tip of the iceberg, so let's delve a little deeper. As soon as I opened a project in the new version I found it easier to navigate to specific instruments in the mix.Ĭoloring, naming and applying notes to each channel remains the same and these characteristics will be loaded from projects created in earlier versions of Cubase. The faders and meters now have a serious hardware look, and some simple but effective color coding makes the different fader types stand out immediately. The brand new MixConsole in default view.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |